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He asks me "Excuse me Miss, did you just feel the earth shake?" I look at him relieved!!! I was thankful that I wasn't going insane! And that it wasn't just my house!!! I'm still not thinking an earthquake.
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I looked insane with ball shorts, a T and a Phillies fitted. :) LOVE!!!Ī car turns onto my block and slows down as it gets closer to me.
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Thank you to EVERYONE who made this song what it is!Īndre Harris "Copoogy" "Oskie" lol 12yrs don't change much :)Īll the true fans out there that hear this song, still feel it in your hearts, the singers that cover this song at open mic spots across the world. We made an 'Open Mic' Classic!!! lol We made a song that 12 years later, I can get on the keys at my live show, play those four chords I asked him to loop and THE WHOLE CROWD knows what's about to happen! The same thing that has been happening for the past 12years. It was Andre's birthday not too long ago and we talked and reminisced and laughed and thanked Jesus numerous times that I didn't take Nyquil and he didn't fall asleep that night. Floetry had now garnered 'mainstream' notoriety from a song that I wrote and recorded with a cold. I was happy for US! Didn't matter to me that 'we' didn't write the song. Look at how it all turned out now :) GO OMARI :) remember going back to London after Say Yes was released in the USA and returning to "SAY YES". *every time I see him now we smile, acknowledging where we used to be those years ago. Performance shots are everything and the Say Yes video was shot carefully to ensure it looked cohesive thanks to the director Jeremy Rall! I remember choosing Omari Hardwick as the guy I would be checking out on the subway in the video and I'm thankful he 'said yes' ) The Floacist would lip sync all my vocals throughout the video to give the illusion of this being a Floetry song.
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I remember sitting in creative meetings about the video trying to figure out how to incorporate the duo in this song because only I wrote it and only my vocals are on the song. I remember it then being chosen as a single. I remember Dreamworks being very happy that they could use this song on the Floetry debut album Floetic. I remember hearing that Ron Isley's album was already completed so he didn't take it either. I remember him liking the song and passing up on it. I remember playing it for Babyface when he came to A Touch of Jazz to meet with the producers. I remember who gave me the 'you DID THAT' look and I remember who shrugged it off as just another song I had done without them. I remember who liked it and who said it was 'a nice song'. I remember everyone coming to the studio the next day and how hype I was to play it for them. Andre Harris and myself KNEW that song was SOMETHING!Īt the time, Ron Isley was looking for songs so I definitely wrote it with him in mind. That night in the B Room at A Touch of Jazz, we listened back to it on repeat. My voice was so worn out from coughing and sneezing that I didn't do anymore vocals than that. Asked for another track, did another harmony. So I did ) Asked for another track, did some background harmonies. I didn't write a bridge so at the time, it only made sense to just enjoy the moment. I got in the booth, the four chords looped around a couple of times and I freestyled the intro "See I've been watching you for a while, your smile and style, I wanna know if I can be with you for the night aiight! Is that alright? Baby? baby!" I recorded the lead in one take. I was gonna record whether he was tired and whether or not I was coming down with a cold. I told Andre I was done writing it which meant one thing and one thing only. Sense is gonna be made to tonight tonight I began to write.ĭon't deny what you feel let me undress you baby I said 'loop those four chords and play it real slow.' He did so. Still, the two of us stayed in the B room. He was tired, I was coming down with a cold. Everyone had left the studio except for myself and Andre Harris.